Enclave, 2020

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Passover (Home Ritual), 2018

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Down the Shore, 2017

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Balancing Lemons, 2018

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Perfect Vision, 2021

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother daughter,

Scale, 2016

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Trust Fall, 2021

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Grandma's Bathroom, 2016

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Sitting Shiva, 2022

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Absent Daughter, 2019

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Lamb Bone (Sacrifice), 2021

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Moon Phases, 2019

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Advice You Don't Want, 2021

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In the Backyard, 2019

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Thanksgiving, 2016

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Getting Yourself Together, 2018

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Misplaced Couch, 2015

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Angry, 2015

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For Luck, 2019

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

Bedroom Solace, 2017 

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hannah altman, photography, photo, feminism, hannah altman photo, self portrait, body, mother, daughter

In Her Childhood Home While Her Mother Lay Dying, 2017

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In Her Childhood Home After Her Mother's Tombstone Unveiling, 2018

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The Three of Us (On the Last Day in Mom’s Childhood Home), 2022

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Puncturing the Painting of a Home, 2022

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The Glare is in Different Eyes Now, 2021

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Within the framework of this series, I grew through my 20s and my mom moved through her 50s. Over the course of a decade, my mother and I created Indoor Voices together, shaping the project around ideas of womanhood passed down through generations, responsibilities between mothers and daughters, and quiet intimacies. We worked through gestures and poses in spaces that belonged to us, creating environments that lived between imagination and documentation. Scenes unfolded in the rooms we dwelled in, as we responded to the lives we carried outside the frame. These moments let us explore what we kept from each other and from the camera, how our bodies shaped the way we spoke, and how the house itself became a backdrop for our connection. The images hold both strength and ruin, truth and invention. As we built this project together over the course of a decade, we watched our world build itself through an intimate, semi-fictional lens.